The Company

About Us

In 1972, Suzanne and Sidney Johnston formed the New Mexico Ballet Company. For the past 50 years, NMBC has supported the local arts community by providing the highest quality productions to New Mexico stages. NMBC has attracted world-renowned guest artists, such as Mikhail Baryshnikov, Susan Jaffe, Natalia Krassovska, Philip Neal and current stars of American Ballet Theatre and New York City Ballet, all while providing a means for young dancers to launch professional dance careers. Over the past two decades, NMBC was honored with the approval of the George Balanchine Trust and New York City Ballet to perform George Balanchine’s Serenade, Concerto Barocco, Valse Fantaisie and Tchaikovsky Pas de Deux.

Each year NMBC champions arts in education for New Mexico school children through school shows at local theaters and onsite workshops and performances. These efforts, provide more than 8,400 New Mexico school children access to dance arts annually.

If you are interested in performing with us, check out the information on our Auditions page.


To create and promote professional and innovative dance productions for New Mexico audiences while providing the highest caliber of education and training for young artists in the community.


We seek to embody diversity, equity, inclusion, and accessibility (DEIA) throughout The New Mexico Ballet Company’s teachings, practice, organizational culture, policies, and operations as a manifestation of our vow to embody the arts together with all beings. NMBC does not and shall not discriminate on the basis of race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sex orientation, or military status, in any of its activities or operations.



In 1972, Suzanne and Sidney Johnston founded the New Mexico Ballet Company in order to provide a means of study and an opportunity for advancement for dancers throughout New Mexico. Ms. Johnston served as the NMBC Artistic Director from 1972 to 1975. During this era, the company performed and toured in Texas, Louisiana and Tennessee as a member of the Southwest Regional Ballet Association. In addition, they produced the first Nutcracker Ballet production in New Mexico to a live orchestra, a tradition that continues today.

Building Strength…1975-1982

NMBC continued to grow and redefine itself under the Artistic Directorship of Rebecca Peltz (1975-1976), Lana Kroth (1976-1977), Alan Baker (1977-1978), Jon Christophori (1979) and Lorenzo Luckie (1981-1982). During this era, the company focused on goals of training local dancers to build a strong corps in addition to promoting the art of dance to New Mexico audiences. This period of growth culminated with Lorenzo Luckie’s presentation of Renaissance, including internationally acclaimed ballet star Fernando Bujones.

Acclaim and Pageantry…1982-1987

Suzanne Johnston resumed her position as Artistic Director from 1982 to 1987. Highlights during this era include world renowned guest performers including Mikhail Baryshnikov, Robert La Fosse, Susan Jaffe, Melissa Hayden, Juliet Prowse and David Chavez. During this time Melissa Hayden of New York City Ballet was brought in to teach master classes to artists of NMBC and an acclaimed production of Paquita was presented with dancers from around the city.

“Anyone interested in viewing some of the best technique in ballet should…see… The New Mexico Ballet’s Gift of Dance.”
Mazur, The Albuquerque Journal, 1985.

Artistry and Imagination…1988-1996

David Chavez assumed the role of Artistic Director from 1988 to 1996. During his tenure, NMBC produced eleven original productions including Carmina Burana, Dia de los Muertos, A Christmas Carol, The Legend of Sleepy Hollow, Vision Quest, The Jungle Book, The Red Shoes, and A Stravinsky Dance Festival. Through the help of grants awarded by the Urban Enhancement Trust Fund of the City of Albuquerque, NMBC was able to provide public school children with free access to many of these performances.

“Chavez’s “Rite of Spring”…was total theater, and true to the violent, primitivistic rhythms used by Stravinsky…”

Jennifer Noyer, The Albuquerque Journal, 1995.

Following Tradition…1997-2008

David Chavez stepped down from NMBC in 1997 and during this transitionary era, NMBC continued founder Suzanne Johnston’s vision to provide New Mexico audiences with access to esteemed guest artists from major companies under the artistic vision of Patricia Dickinson.  Bill Evans was brought in to set some scenes in Patricia’s Nutcracker and his choreography appeared in the 25th year celebration of the company the following Spring.  In addition, NMBC was approved by the George Balanchine Trust and New York City Ballet to perform Balanchine’s works Serenade and Concerto Barocco under the guidance of former New York City Ballet ballerina and Balanchine repetiteur Jillana. NMBC’s regular performances of The Nutcracker Ballet continued its tradition as a mainstay of the NM holiday season and popular novelties such as NMBC’s Dracula drew different audiences. These programs allowed the company to commit resources to new productions and prepare for the greater things in store for the company.

Classical and Experimental…2009-2015

Jolie Sutton-Simballa was appointed Artistic Director in 2009 after a decade of dancing with NMBC and six years as NMBC’s Assistant Artistic Director and resident choreographer.  Sutton-Simballa’s continued desire to provide NM audiences with the best classical dancing resulted in bringing in world-reknown stars from American Ballet Theatre (Sarah Lane, Luis Ribagorda, Stella Abrera), New York City Ballet (Philip Neal, Maria Kowroski, Tyler Angle), Pilobolus (Peter Pucci) and Martha Graham (Peggy Lyman) to dance, set works and teach. These years of growth have seen the expansion of the company’s Balanchine Repertoire with productions of Valse Fantasie and Tchaikovsky Pas de Deux along with the guest artist performances of Balanchine’s grande pas de deux from The Nutcracker.  This era was also the start of the collaboration between NMBC and the NM Philharmonic.  Together they dazzled audiences with Romeo and Juliet, Don Quixote and Spartacus.

Continued Growth…2015 – 2019

Natalie Harris moved from Resident Choreographer to Artistic Director of NMBC in the summer of 2015, and served as Artistic Director until 2019.  Miss Harris’s new Nutcracker Ballet premiered Thanksgiving weekend at Popejoy Hall with the New Mexico Philharmonic.  She was thrilled to provide the audience new choreography and allow our talented dancers the opportunity to expand their artistry by performing in a variety of roles.  For two years, NMBC performed for NDI NM’s Winter Dance Escape, dancing an excerpt of George Balanchine’s Serenade and excerpts from Swan Lake.  NMBC continued to collaborate with the NM Philharmonic. Natalie Harris created original, full length story ballets, such as  Alice in Wonderland (2016), Wizard of Oz (2017), Aladdin and the Magic Lamp (2018), and Phantom of the Opera (2019) conducted by David Felberg at Popejoy Hall. During the 2019-2020 season, Evelyn Cisneros-Legate served as Guest Artistic Director for the Nutcracker Ballet (2019)

Dancing Through….2020 to present

Before the pandemic shuttered theaters across the country, NMBC School Director Anna Bridge revamped and directed Alice in Wonderland (2020) in collaboration with the NM Philharmonic. Throughout the Spring and Summer of 2020, NMBC shifted its focus to online opportunities to keep dancers active and safe. In the Fall, dancers were able to return to in-person classes and rehearsals in a limited capacity. In January 2021, Anna Bridge was appointed Artistic Director, and NMBC continues to creatively pivot to grow and thrive while meeting today’s challenges.